The Lies that Bind by Emily Giffin

HerKentucky Whiskey Glass Rating: 🥃🥃🥃

Publisher’s synopsis: It’s 2 A.M. on a Saturday night in the spring of 2001, and twenty-eight-year-old Cecily Gardner sits alone in a dive bar in New York’s East Village, questioning her life. Feeling lonesome and homesick for the Midwest, she wonders if she’ll ever make it as a reporter in the big city—and whether she made a terrible mistake in breaking up with her longtime boyfriend, Matthew. 

As Cecily reaches for the phone to call him, she hears a guy on the barstool next to her say, “Don’t do it—you’ll regret it.” Something tells her to listen, and over the next several hours—and shots of tequila—the two forge an unlikely connection. That should be it, they both decide the next morning, as Cecily reminds herself of the perils of a rebound relationship. Moreover, their timing couldn’t be worse—Grant is preparing to quit his job and move overseas. Yet despite all their obstacles, they can’t seem to say goodbye, and for the first time in her carefully constructed life, Cecily follows her heart instead of her head.

 Then Grant disappears in the chaos of 9/11. Fearing the worst, Cecily spots his face on a missing-person poster, and realizes she is not the only one searching for him. Her investigative reporting instincts kick into action as she vows to discover the truth. But the questions pile up fast: How well did she really know Grant? Did he ever really love her? And is it possible to love a man who wasn’t who heseemed to be? 

The Lies That Bind is a mesmerizing and emotionally resonant exploration of the never-ending search for love and truth—in our relationships, our careers, and deep within our own hearts.

HerKentucky Review: Nearly every Emily Giffin novel can be summed up in two sentences: Midwestern girl winds up in big city circumstances that are more lavish than her wildest dreams. She acts from insecurity and hubris, making an impetuous decision that nearly costs her everything. Ms. Giffin’s The Lies that Bind, applies that basic plot to the story of 28 year-old Cecily, a Wisconsin native and would-be journalist, who feels an instant connection to Grant, whom she meets in the spring of 2001. They begin an intense affair, and then he totally vanishes after the 9/11 attacks.

Emily Giffin is known for writing novels about complex moral issues. Her characters make questionable decisions, and you either really root for them, or you don’t. In some (Something Borrowed and Something Blue), that technique really works for me. In others (Love the One You’re With and Baby Proof), the characters are so flawed that I kind of hated them and the decisions they made.

In The Lies that Bind, I found the female protagonist to be somewhat willfully obtuse. Her decisions were knowingly shortsighted and selfish. And, yet, I couldn’t put the book down. I felt the nostalgia pull so strongly in this one. I was 25 on September 11th, working at a job that made me miserable and dealing with dating drama and never having enough money. I hated the stupid decisions Cecily made, but I so strongly recalled my own life at that point. Ms. Giffin really transported me to my own life decisions at the time. Enjoy this one with a Sex-and-the-City era Cosmo and a Christina Aguilera playlist, and remember how you didn’t always make the best dating decisions 20 years ago.

Purchase The Lies that Bind on Amazon or Bookshop.org.

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Madam Belle: Sex, Money and Influence in a Southern Brothel by Maryjean Wall

HerKentucky Whiskey Glass Rating: 🥃🥃🥃

Publisher’s synopsis: Belle Brezing made a major career move when she stepped off the streets of Lexington, Kentucky, and into Jennie Hill's bawdy house―an upscale brothel run out of a former residence of Mary Todd Lincoln. At nineteen, Brezing was already infamous as a youth steeped in death, sex, drugs, and scandal. But it was in Miss Hill's "respectable" establishment that she began to acquire the skills, manners, and business contacts that allowed her to ascend to power and influence as an internationally known madam.

In this revealing book, Maryjean Wall offers a tantalizing true story of vice and power in the Gilded Age South, as told through the life and times of the notorious Miss Belle. After years on the streets and working for Hill, Belle Brezing borrowed enough money to set up her own establishment―her wealth and fame growing alongside the booming popularity of horse racing. Soon, her houses were known internationally, and powerful patrons from the industrial cities of the Northeast courted her in the lavish parlors of her gilt-and-mirror mansion.

Secrecy was a moral code in the sequestered demimonde of prostitution in Victorian America, so little has been written about the Southern madam credited with inspiring the character Belle Watling in Margaret Mitchell's Gone with the Wind. Following Brezing from her birth amid the ruins of the Civil War to the height of her scarlet fame and beyond, Wall uses her story to explore a wider world of sex, business, politics, and power. The result is a scintillating tale that is as enthralling as any fiction.

HerKentucky review:

If you've spent any time at all in Lexington, then you've certainly met at least one person who considers herself a "Belle Enthusiast" -- someone who simply can't get enough of the legend of Miss Belle Brezing.

Belle was, of course, a Lexington madam of the late 19th and early 20th century whose shrewd business sense and commitment to opulence and decorum led to the establishment of what was widely known as "The Most Orderly of Disorderly Houses." Widely believed to be the inspiration for the Belle Watling character in Gone with the Wind, Belle rose from humble beginnings to own a successful brothel that was frequented by judges, horse breeders, and society gentlemen of the day. I count myself among the Belle Enthusiasts who are fascinated by her life story, so I was excited to get my hands on the latest Belle biography, Maryjean Wall's Madam Belle: Sex, Money, and Influence in a Southern Brothel. 

Ms. Wall, who covered the turf beat for the Lexington Herald-Leader for nearly four decades, brings a well-researched account of Lexington in the 1880s and 1890s. Her work brings an interesting perspective of the era's horse business to Belle's story. However, with little new information about Belle and a wealth of stories about seemingly peripheral racing stories, the book functions better as a history of Lexington than as a Belle Brezing biography. The knowledgeable Belle enthusiast will find little new information in this work, with much of the story devoted to pedantic details found in receipt books and a heavy reliance on Buddy Thompson's seminal Brezing biography, Madam Belle Brezing. [Ed. note: my college bookstore stocked a few copies of Thompson's book when I was matriculating there. I always meant to buy it but at the time, list price seemed exorbitant; now it's impossible to find a copy of the long-out-of-print work for under $70...]

I found myself simply wanting to like this book far more than I actually did. There was little new information and Ms. Wall's text is cumbersome. The language which the author employs is particularly problematic. The overuse of "demimonde" adds an aura of pretension, while the repeated referral to Ms. Brezing's employees as "whores" undermines the commonly-held (and seemingly accepted by the author) conceit that Belle was a sharp businesswoman who added a touch of elegance to her enterprise. The historical context of Kentucky horsemen often seems forced, bringing awkward phrases like "But [Belle's] opening night gala still lay in the future on that Derby night of 1890" or the reference to 1890s thoroughbred horses as "four-legged Ferarris." [Driver Enzo Ferrari was not born until 1898, and his eponymous sports car company was founded in 1929.] At times, I simply found myself wondering where the point lay in Ms. Wall's exercise.

For this reader, Ms. Wall's most interesting addition to the Belle Canon is an anecdote regarding Belle's final days. Aging, alone, and fighting a morphine addiction, Belle found herself in the frequent care of James Herndon, an orderly at Lexington's St. Joseph Hospital. Mr. Herndon is perhaps better known as Lexington's original drag queen, Miss Sweet Evening Breeze; it's fascinating to imagine how this connection kept the Belle legend alive in Lexington. Ms. Wall's quote of Lexington artist Bob Morgan, who says "All the old queens loved Belle. She was powerful and a sexual outlaw..." tells a fascinating story of gender politics and historical interpretation. I found myself wishing that this storyline had been better developed, with less emphasis on the same perusal of auction records that appears in every Belle timeline.

Madam Belle adds little to the body of Belle writing. I would recommend it only for those who are new to the Belle legend or who are interested in an overview of the vices of historical Lexington.